Poster no. 6 for the Summer concerts held at the Bishopsgate Institute of BEAP – Bishopsgate Emerging Artists Programme. Dimensions: 48 x 68 cm, digital print.

Poster no. 5 for the Spring concerts held at the Bishopsgate Institute of the Bishopsgate Emerging Artists Programme. Illustration by Karen Lacroix. Dimensions: 50 x 70 cm, digital print.

Identity for the Lunar Saxophone Quartet, website and CD design for their latest release (Reworkings). Illustration for CD cover by Karen Lacroix.

Participation on the exhibition Timeless, included in the Design Biennial ExperimentaDesign. This project is the result of a critical reflection of Portuguese social and political visual communication, having as starting point a poster from the Carnation Revolution period (1974). During the process of analysis, an article was written for EXD’s website and the result is a poster that proposes a critical reflection with an “updated” version of a poster displayed in the Museu do Oriente (made circa 1975, unknown author). This poster was displayed in several streets of Lisbon, Portugal. Exhibition curated by Frederico Duarte and Pedrita for EXD09.
For the English version of the article, click under the images or download the PDF. For the original Portuguese article, click here. Poster dimensions: 68 x 98 cm, 2 colours.

Poster for the event All aboard, consisting on a routemaster bus that becomes a performance venue, exhibition space and a living archive. Poster co-designed with Karen Lacroix. Dimensions: A2 + variable.

Commission from the Bishopsgate Institute to design a series of posters for the 2008/09 concerts. These posters follow a commission to design the identity of BEAP - Bishopsgate Emerging Artists Programme. Posters in collaboration with Karen Lacroix. Dimensions: 50 x 70 cm.

New year card and limited edition of a 50 x 70 cm poster for Imaginaid Gallery. The illustration has 365 different typefaces and is printed on 100% recycled paper.

Commission from Imaginaid and the Swiss Confederation to design a poster about 3 artistic events around the 9th Meeting of the States Parties to the Mine Ban Treaty, held in Geneva, Switzerland, in November 2008. The three events included a photography exhibition, a dance performance and an urban installation.
The poster was displayed in Geneva, Basel and Zurich, Switzerland. Poster 70 x 100 cm + A5 booklet + A5 invitation, 2008.

Exhibition view, Royal College of Art, 2008
Posters + video projection

Introduction: If anything has changed in the world since 1977, when philosopher Paul Virilio wrote his first book on speed, it is that everything has become even faster. Graphic design is no exception.
Economy and technology impose an hallucinating rhythm to society, to culture, to design. This forces the designer to have less time to think and far more areas of art and design to embrace, thus stretching their boundaries.
What remains is the imminent need to move simultaneously in every direction, to move on, to continuously flood cities (and design) with movement. In this sense - while losing its identity - graphic design is, more than ever, a nomadic discipline. There is no time to consider history, only to produce, to deliver.
Inevitably, fastness equals superficiality.

Proximity and Abstraction, an exhibition of photography and film by Mikael Gregorsky and Abbe Leigh Fletcher at the Fulham Palace Gallery.
A5 catalogue, A5 invitation which unfolds into an A2 poster and exhibition graphics.
Client: Fulham Palace Gallery, 2008.